From Slumdog to Lion

Dev Patel was 18 years old when I first interviewed him in 2008 for Danny Boyle’s Slumdog Millionaire.

His acting ability and wavering accent in Boyle’s soon-to-be-hit film would be debated in the months to come, but with the press Patel was extremely charming. His favourite word at the time was “wicked”.
But he has travelled a long way in the past eight years.
For one, he does not use “wicked” that often. I interviewed him at Toronto International Film Festival (TIFF) last year when he was promoting The Man Who Knew Infinity and his response to using “wicked” was: “Did I say that a lot? That’s what you get when you drop out of school really early. You have a very limited vocabulary. It starts and ends with ‘wicked’.”
Now 26, Patel was back at TIFF recently with his new film Lion, in which he plays the adult Saroo Brierley, an Indian child adopted by an Australian couple.
Even though Patel first appears only towards the middle of the film, he carries the burden of the narrative with charm, good looks and long hair and a lot of emotional depth. The Hollywood Reporter review praised his “tremendously moving performance” and called him “the resilient soul of Lion”.
There is already buzz of an Oscar nomination for Patel. Scott Feinberg, an influential commentator with the Reporter in his post-TIFF report, suggests that Patel’s nomination in the supporting actor category is a sure bet.
I have to agree. Patel is exceptionally good in the film. The film got tremendous reception at its TIFF premiere where the audience, reduced to tears, gave it a standing ovation. 
Patel’s post-Slumdog journey has not been as smooth as that of his co-stars Freida Pinto and Irrfan Khan.
While Pinto was immediately cast in films directed by a range of well-known directors like Woody Allen and Julian Schnabel, Patel was only offered clichéd roles of terrorists and cab drivers.
The one big film that came his way was M Night Shyamalan’s The Last Airbender, but that project was rejected by the audience and critics. He also largely went unnoticed in smaller films such as About Cherry and The Road Within.
Apart from not having enough engaging work, Patel often had to deal with being asked to speak in an Indian accent, an acting challenge he has never fully grasped.
Patel’s professional struggle ended when he was cast in The Best Exotic Marigold Hotel and its sequel as Sonny Kapoor, a caricatured hotel owner, jumping up and down to please the elderly British guests staying at his dilapidated establishment.
In between there was an additional ray of hope. Patel was cast as Neal Sampat, a British member of the News Night show on HBO’s popular serial, The Newsroom. For once the casting agents and the show’s producers saw Patel for what he is - a British actor of Indian descent. Without having to worry about speaking in an Indian accent, Patel finally got a chance to showcase his acting skills.
By then there was a realisation that Patel was the only bankable Indian actor of his age group in the West.
Last year, Matt Brown, the director of The Man Who Knew Infinity, acknowledged that a few Indian actors were considered for the role, but it was only when Patel’s name was attached to the project that the producers were able to find financing. 
It was clear that the British Patel had worked very hard to transform himself to become the Tamil Brahmin Ramanujan. But his performance, although earnest and sincere, looked too studied.
But Lion is a different animal. For one Patel had to lose his British accent and adopt a convincing Australian tone. And for another, he plays a character his own age, living in Melbourne.
“Lion is probably the best script I have read. So to be a part of it is just astounding. It is a triumphant movie and that’s why I relate to it,” Patel said.
“The director not only physically changed the way I look like, but he really forced me to go down the journey that was a different embodiment. The way I sounded. I was in the gym all the time since I had to get a bit bigger.”
So this time, Patel has got it right. The early Oscar talk is not surprising at all. 

Source: bbc.com

From Slumdog to Lion

Dev Patel was 18 years old when I first interviewed him in 2008 for Danny Boyles Slumdog Millionaire. His acting ability and wavering accent in Boyles soon-to-be-hit film would be debated in the months to come, but with the press Patel was extremely charming. His favourite word at the time was wicked. But he has travelled a long way in the past eight years. For one, he does not use wicked that often. I interviewed him at Toronto International Film Festival (TIFF) last year when he was promoting The Man Who Knew Infinity and his response to using wicked was: Did I say that a lot? Thats what you get when you drop out of school really early. You have a very limited vocabulary. It starts and ends with wicked. Now 26, Patel was back at TIFF recently with his new film Lion, in which he plays the adult Saroo Brierley, an Indian child adopted by an Australian couple. Even though Patel first appears only towards the middle of the film, he carries the burden of the narrative with charm, good looks and long hair and a lot of emotional depth. The Hollywood Reporter review praised his tremendously moving performance and called him the resilient soul of Lion. There is already buzz of an Oscar nomination for Patel. Scott Feinberg, an influential commentator with the Reporter in his post-TIFF report, suggests that Patels nomination in the supporting actor category is a sure bet. I have to agree. Patel is exceptionally good in the film. The film got tremendous reception at its TIFF premiere where the audience, reduced to tears, gave it a standing ovation. Patels post-Slumdog journey has not been as smooth as that of his co-stars Freida Pinto and Irrfan Khan. While Pinto was immediately cast in films directed by a range of well-known directors like Woody Allen and Julian Schnabel, Patel was only offered clichd roles of terrorists and cab drivers. The one big film that came his way was M Night Shyamalans The Last Airbender, but that project was rejected by the audience and critics. He also largely went unnoticed in smaller films such as About Cherry and The Road Within. Apart from not having enough engaging work, Patel often had to deal with being asked to speak in an Indian accent, an acting challenge he has never fully grasped. Patels professional struggle ended when he was cast in The Best Exotic Marigold Hotel and its sequel as Sonny Kapoor, a caricatured hotel owner, jumping up and down to please the elderly British guests staying at his dilapidated establishment. In between there was an additional ray of hope. Patel was cast as Neal Sampat, a British member of the News Night show on HBOs popular serial, The Newsroom. For once the casting agents and the shows producers saw Patel for what he is - a British actor of Indian descent. Without having to worry about speaking in an Indian accent, Patel finally got a chance to showcase his acting skills. By then there was a realisation that Patel was the only bankable Indian actor of his age group in the West. Last year, Matt Brown, the director of The Man Who Knew Infinity, acknowledged that a few Indian actors were considered for the role, but it was only when Patels name was attached to the project that the producers were able to find financing. It was clear that the British Patel had worked very hard to transform himself to become the Tamil Brahmin Ramanujan. But his performance, although earnest and sincere, looked too studied. But Lion is a different animal. For one Patel had to lose his British accent and adopt a convincing Australian tone. And for another, he plays a character his own age, living in Melbourne. Lion is probably the best script I have read. So to be a part of it is just astounding. It is a triumphant movie and thats why I relate to it, Patel said. The director not only physically changed the way I look like, but he really forced me to go down the journey that was a different embodiment. The way I sounded. I was in the gym all the time since I had to get a bit bigger. So this time, Patel has got it right. The early Oscar talk is not surprising at all. Source: bbc.com