After the party: Rio wakes up to an Olympic hangover
When Brazil won the Olympics in 2009, its future looked bright. Seven years on, as the Games have ended Rios residents are counting the costs
Luiz Eduardo Soares
The Olympic Games have ended , having demonstrated once again that Rio de Janeiro knows how to organise and promote big events. But after the party, and the billions spent to show the world that we deserve a place among the great democracies, comes the hangover; the bills begin to arrive, and we have no way to pay. As the festive air and the tourism subside, and with the Paralympics due to start in a matter of weeks, the old problems remain.
It is now that the residents of Rio de Janeiro begin to wonder: what will the legacy be? As we present ourselves to the world, have we revealed our faults? Or has the power of our cultural creativity come to the fore? Therein lies the contradiction of Rio: the combination of beauty and poverty, hedonism and inequality, a carnival atmosphere and bloody violence.
Hosting the Olympics in Rio was the latest effort an extreme, titanic one to impose the ideal version of Rio over the complexities and contradictions of real Rio. In real Rio, the state government does not have enough money to keep police vehicles on the roads. Police stations are running out of paper. Hospitals are in a precarious situation. State universities are on strike: so far they have not received a penny towards the costs of the current academic year. The states 500,000 public servants have received their salaries late. Building work has been interrupted. Unemployment is increasing. Social and economic inequalities have become more pronounced. Just before the Olympics, Rio state declared a state of emergency, shifting all these problems on to the shoulders of the federal government which handed it almost a billion dollars to prevent chaos during the Olympics. But Rios anxious population is already wondering not so much how the Games have gone as what will happen afterwards?
Eduardo Paes, the mayor of Rio de Janeiro, has done everything to try to stop a parliamentary inquiry commission being opened in the municipal chamber to investigate spending on the Olympics. Of the original promises made by Paes for the Games legacy, mainly involving investment in urban mobility and the reduction of pollution, barely half have been met on time. The Games proposed budget of $13bn was exceeded a long time ago but a lack of transparency over the real costs has fuelled suspicions of corruption. And there is more: in the weeks leading up to the Games, the mayor was still racing to complete the building programme. Other pledged projects will be left in the in-tray of his successor, to be elected in municipal elections in October. The newly laid asphalt on main roads has already started to fail; on 21 April, a section of cycle path on Avenida Niemyer, along Rios waterfront, collapsed weeks after it was opened, killing two people. Public confidence in City Hall, already low, plummeted further. Today, 57% of Rios population do not trust the mayor.
All this is without even factoring in the Zika epidemic, thankfully now less virulent during these cooler winter months. Although not Rio residents most immediate concern, it casts an ever-present shadow, especially given the risk of infected pregnant women passing the virus on to their children, with potentially devastating consequences. Zika started to spread through Brazil in April 2015. From the start of this year up to 28 May, 161,241 probable cases of the virus were registered; of these, 46,027 were in the state of Rio de Janeiro.
For anyone who has lived through Brazils progress over the last two decades, this is a shocking situation. When, on 2 October 2009, Brazil and Rio de Janeiro won the bid to host the 2016 Olympic Games, they did so in the glow of economic success. The enthusiasm of the then president, Luiz Incio Lula da Silva, was contagious: Now is our time! Its here! Of the worlds 10 largest economies, Brazil is the only country that has not hosted the Olympic and Paralympic Games. This will be an unrivalled opportunity for us. It will boost the self-esteem of Brazilians; it will consolidate recent victories; it will stimulate new progress.
In Rio de Janeiro, tens of thousands of people partied on Copacabana beach in the wake of the decision. There seemed plenty of reasons to celebrate. In 2011, Brazil earned its best rating in the Gini inequality index since 1960, the year the index was introduced. Brazil had benefited greatly from a boom in the value of Brazilian exports soy, iron ore, sugar cane and more during this time, and economic growth during the governments of the Workers party president, known as Lula, was accompanied by successful social policies such as the Bolsa Famlia programme, which topped up the income of the poorest families so long as children and adolescents were in school. Other important initiatives included an increase in the minimum wage, and the introduction of policies against racism and the exclusionary effects of poverty.
In 1993, 23% of the Brazilian population lived in extreme poverty, meaning that their income was insufficient for the minimum number of calories required for healthy survival. By 2009, this figure had fallen to 8.4% still unacceptable, of course, but a dramatic reduction nonetheless. The period from 2003 to 2011 saw 39.6 million Brazilians join the ranks of the so-called new middle class.
But during this time, Brazil also got lucky. In 2006, before the end of Lulas first term in office, the government-owned oil company Petrobras announced the discovery of an oil reserve off the Brazilian coast some 800km long and 200km wide, a substantial chunk of which lies alongside the state of Rio de Janeiro. In the 1990s, Petrobras had been an ailing institution; suddenly, its net profit soared, from $2bn in 2002, to $19bn in 2008. The news of this discovery of one of the worlds biggest reserves of black gold gave Brazilians further optimism: things seemed blessed and glorious. Brazil, and Rio in particular, had not felt such self-confidence since the late 50s and early 60s. This, of course had been the era of accelerated industrialisation, the countrys first football World Cup victory and the construction of Braslia, the new capital and temple of modernist architecture; the age of bossa nova, of Tom Jobim and Joo Gilberto, of Cinema Novo and the great film director Glauber Rocha; of groundbreaking theatre and literature, of socialist dreams. A golden age, violently ruptured by the civil-military coup of 1964, which installed a regime that endured for two decades. Now, in the 2000s, it seemed to many as though that golden age might be reborn.
stopped bubbling with variety and vitality. Music continues to be a strong influence, from sophisticated rock shows to funk dance parties in the favelas. More than a million people went to see the Rolling Stones on the beach at Copacabana, and three million take samba to the streets during the four days of the annual carnival.
This organic connection between art and everyday life, the rhythm that pulses in the favelas and appears in more sophisticated visual art, does not occur by accident. It is the product of the most important cultural project of Brazil, which started in Rio, where it found fertile ground. Tropiclia began in 1967 with Hlio Oiticica and moved into the music of Caetano Veloso and Gilberto Gil. A 1967 exhibition of Oiticicas work at Rios museum of modern art, entitled Tropiclia, included the sound and movement of musicians and dancers from the favela of Mangueira. By then, though, Brazil was a military dictatorship, and the idea of black and poor people dancing samba was not accepted by the directors of the museum. Oiticica resolved the question by moving into the street with the musicians and dancers. This performance made a permanent mark on the Brazilian imagination; it has served as touchstone and inspiration for generations of artists ever since. In Rio, cultural explosion has always been a form of democratic resistance to racism and inequality.
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